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When I am not interested in them, they work for the relationship day and night. Anyone reading this blog can see that: The flip side of being bright is being opinionated.
When I am committed to them and act nice and devoted, they start to look elsewhere. Am I cursed to be alone just because I know how to be kind to women? So how is it that all these successful men are not connecting with all these successful women? Because there’s much more going on than merely a meeting of the minds. The flip side of being analytical is being difficult. The flip side of having moral clarity is being arrogant.
With the introduction of actress Judith Light in the role of Karen in late 1977, head writer Gordon Russell ramps up the storyline into Marco and Karen's relationship, with the role of Karen becoming a jangled bundle of nerves around Anthony's Marco.
With the arrival of the goddaughter of Victoria "Viki" Lord Riley (Erika Slezak), Tina Clayton (Andrea Evans), Marco opens up a brothel while masquerading it as a photography studio.
I think she's very brave because she's speaking her mind.
Anyway, in short, I need some serious help and hope to hear back from you soon. I’m what you’d call a “nice guy.” I make a good living, I’m pretty attractive, and I treat women well. Isn’t being nice a Men reading this might empathize with Jason. What never occurs to some women is that: They’re being evaluated on far more than their most “impressive” traits. The flip side of being entrepreneurial is being a workaholic.
In fact, all of my female friends comment on what a great catch I am. Women reading this may feel bad for him, yet also want to him to know that it’s not BECAUSE he’s nice that he’s not attracting women. It’s because he constantly seeks the approval of others. It’s because he sacrifices his personal power to be conciliatory. These traits sometimes come with a significant downside that is painful to acknowledge. The flip side of being charismatic is being self-centered.
Finally establishing a business venture in Llanview, Marco forces Karen (Light, onward) to become one of his prostitutes in exchange for his silence on their past dealings.
After Marco takes clothed photographs of naive, teenaged Tina, he edits the images to make them appear as if Tina posed nude.